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Friday, 17th and Saturday, 18th of November 2006
at HAU 1, Berlin
Stresemannstr. 29
10963 Berlin
Concept and Stage:
Hannah Hurtzig
Project Management:
Gunda Zeeb
Project Assistance: Anja Lindner
Technical Director: Ingo Ruggenthaler
Film Documentation: Lisa Boeffgen
Interviewer: Ronald Düker, Stefanie Peter, Siegmar Zacharias
Project Interns: Mareike Holtz, Juliane Männel
Hosts and Hostesses:
Hanka Boldemann, Mareike Holtz, Henriette Huppmann,
Nele Jahnke, Juliane Männel, Wladimir Miller, Sibah Pomplun, Verena
Ries,
Daniela Schöler, Inga Schonlau, Julia Schreiner, Nicole Schuchardt
Poster Design: Max Grambihler
Translation: Richard Pfennig/ Gunda Zeeb
Print: Druckerei Conrad GmbH
Photos: Thomas Aurin, Jürgen Baumann, Basia Weibel
We would like to thank:
Joseph Vogl, Helmut Müller-Sievers, Doris Dziersk,
Nele Hertling, Zeitzeugenbörse e.V., Dr. Mechthild Borries-Knopp,
Christine von Arnim, Carena Schlewitt und Matthias Lilienthal (HAU)
The Blackmarket for Useful Knowledge and Non-Knowledge
is a project of Mobile Academy at HAU
(Hebbel Theatre), Berlin. Funded by the "Hauptstadtkulturfonds"
Mobile Academy
c/o Hebbel am Ufer
Stresemannstr. 29
10963 Berlin

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Danish, German, English, French, Norwegian, Polih, Swedish, Serbo-croatian/Bosnian,
Spanish, Turkish
Encyclopedia
& Experts
ABU GHRAIB
ANTI-AMERICANISM
CAR
CHICKEN FARM
CONTEMPORARY WITNESSES
DIPLOMACY
DRUGS
EDUCATION
FEMINISM
FILM
FLUXUS
FOLKLORE - FAKELORE
FOOD
GANGSTER
GAY-LESBIAN
GHOSTS
HOLOCAUST
INVENTION
LANDSCAPE
LITERATURE
MIGRATION
MONEY
MUSIC
9/11
PERFORMANCE
PLACES & CITIES
POLITICS & ECONOMY
POP
RELIGION
SELF-IMAGE & HOW OTHERS SEE US
SPORTS
TRAVELLING
WAR
EXERCISES
WITHOUT CATEGORY
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BLACKMARKET for Useful
Knowledge and Non-Knowledge
It's a Bird! It's a Plane.
It's Superman....
American Close-Ups in 440 Dialogues
Experts and clients during their talks,
Photo: Thomas Aurin
The image we have of (U.S.) America is: too big. Too big are not
only the countries' geographical dimensions, its plurality of inhabitants,
their customs and institutions, but also the prejudice and the presumed,
but often not verified knowledge of a country, which seems to be
too close and too far away from us at the same time.
The Blackmarket will attempt to break up this oversized image into
fragments, giving the visitors the possibility to recompose it by
themselves. However, the idea of the Blackmarket is less to create
a new image of America but more to enable a new consistency of the
(already existing) knowledge about this country: little steps to
a better understanding of a way of life that often has the tendency
to represent itself blurred: mythical, nonverbal, egocentric.
The BLACKMARKET defines itself as an interdisciplinary research
on learning and un-learning and installs a temporary show and production
space, where narrative formats of knowledge transfer are tried out
and presented. The installation imitates familiar places of knowledge
transfer like archives or the reading-room of a library and combines
these with communication situations, which are well-known from markets,
the stock exchange, counselling or service interviews.
At the Blackmarket you can book an expert for a private dialogue
for half an hour, or you observe and follow the discussions on the
6 channels of the BLACKRADIO. Each Blackmarket presents another
topic.
Booking: Book an expert for half an hour at 3 Euros. You
can choose among 400 knowledge offers at the two evenings. Nearly
all talks can be booked in English and German
Check-In from 6.30: The Check-In already opens at 6.30pm
and is opened ongoing. Each half hour you have the possibility to
check in for the next round of expert talks.

Check-In counter, Photo: Thomas Aurin
BLACKRADIO: You can listen to selected dialogues between
experts and clients via headphones on the BLACKRADIO. The Blackradio
offers 6 channels (English/German).
Parallel to the Blackmarket:
KIOSK For Useful Knowledge
Hans Ulrich Gumbrecht in dialogue with Joseph Vogl
18th of November, 9.00 - 11.00pm, HAU 1

On the screens the dialogue partners Hans Ulrich
Gumbrecht (at the left) and
Joseph Vogl, in the background the audience at Hebbel am Ufer, Photo:
Thomas Aurin
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